Aufgabe HT 1 - 2 · Abitur NRW Englisch LK · Haupttermin 2021
Thema: Analyse literarischer Texte (Narrative techniques, poetic devices) · Aus der Prüfung LK · Haupttermin (2021)
Aufgabenstellung
Klausurteil A
Osayande Igbinedion
AFRICA
Osayande Igbinedion is a male poet from Nigeria.
Africa, my Africa,
Africa my motherland,
Africa the land of the black race,
Torn in a conflict
5 Africa of high and low lands,
Africa of thick forest and shrubs,
Africa in which abound many rivers,
And natural wealth
Bountiful and splendid
10 Africa, my Africa,
A race struggling within
For a place in the sky;
Wither do you go now?
When the white race
15 Had lunged upon you
A cloud overshadowed you,
In a wave of cultures
Like the mighty roars of the Atlantic
Across the beaches of Lagos.
20 You were torn apart,
Body and soul,
In bits of disgusting rags...
When believers and ministers of imported religions
Go back to their African roots
25 You are an edifice of tattered cloths
When teachers and students of white knowledge
Go up and down in the mystery of the same
You are an effigy of the past.
When the series of the western trials
30 Have failed us as we have failed them.
You are in chaos.
When orthodox medicine swallowed tradomedics
Struggling to re-emerge.
You strangulate between them.
35 When laws are turned upside down
And jungle justice and witchcraft reign.
You too are turned to rags
Metaphysical science still
Has a place in our wars.
40 When tradition goes on
In the presence of a foreign marriage.
You are in a great confusion.
Africa, my Africa,
Africa, my fatherland,
45 Africa of past proud warriors,
Africa then and now,
Africa of the black race,
Torn in conflict
Knowing not how to mend the rags.
50 And now, arise, Africa!
Wake up from your slumber, Africa!
You either be up or down the ladder
The present midway takes your breath.
Annotation:
32 tradomedics – traditional medicine
2. Analyse the ways in which the speaker's views are conveyed, paying attention to structure, language and poetic devices. (Analysis) (16 Punkte)

Lösung
Nach den offiziellen Korrekturhinweisen
2. Analyse the ways in which the speaker's views are conveyed, paying attention to structure, language and poetic devices.
Lösung: A comprehensive analysis covers three main areas: 1. Core emotional attitude and intent (4 points): - Demonstrates the speaker's deep personal attachment to Africa ("my Africa", "my motherland", "my fatherland"), strong criticism of its conflict-ridden past and present, and urgent appeal for change. 2. Structural features (4 points): - Framing device: Stanza 1 is mirrored and varied in the penultimate stanza (lines 42–49), reinforcing ongoing conflict across generations ("Africa then and now"). - Typography and indentation: The graphically separated, indented final stanza (lines 50–53) highlights the urgent concluding appeal to wake up and act. - Open form: Absence of fixed meter and rhyme scheme, combined with irregular punctuation and enjambments, mirrors internal chaos, restlessness, and disorientation. 3. Language and poetic devices (8 points): - Personification & Apostrophe: Africa addressed directly as a "you" / family member ("motherland", "fatherland", "Body and soul"), creating an intimate bond and empathy. - Pronouns: Pervasive use of 1st and 2nd person pronouns ("my", "our", "you"), linking the speaker's identity inextricably with the continent. - Metaphors and imagery: Imagery of degradation ("bits of disgusting rags", "edifice of tattered cloths", "effigy of the past"); ladder metaphor ("up or down the ladder") symbolizing clear developmental direction vs. paralyzing "midway". - Contrasts & Antitheses: Clashes between imported vs. indigenous spheres (western medicine vs. tradomedics, formal law vs. jungle justice, foreign marriage vs. tradition). - Semantic fields: Semantic fields of conflict, violence, and destruction ("lunged", "torn apart", "strangulate", "wars", "chaos"). - Rhetorical devices: Anaphora ("When..."), parallelisms, and repetitions ("Africa, my Africa") stressing urgency and lament.
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